The Mullairplane

The Mullairplane project was born out of an artist's desire to flatter our capacity to marvel. And, more than a hundred years after Wright's first take-off, there is no human achievement as great dream-wise as the airplane. There is no better symbol of man's quest for freedom and divine. Therefore, even if we can understand logically how huge metal monsters can escape from gravity and dance with the clouds, there is a part of us that acknowledges only magic in this miracle.

I firmly believe that one of the most important roles for the artist in modern society is that of a witness. He can scream and denounce in front of injustice, but he may also want to share his capacity to marvel. While the others have to run for work and life, his job is to stop and look at things, real or imaginary, and then recreate them in order for the others to see for themselves. We are constantly bombed by images, we are using tools and machines we don't really understand, but we don't really have the time to see.

This is why the airplane has always been present in my work. Look! Aren't those heavy angels marvellous? Aren't they a dream come true? Can they not symbolize our love for humanity?

It is one thing to paint (represent) an airplane. It is another to paint (on) an airplane. The Mullairplane is a painted plane that wishes to fly around the world to bring a message of colour and peace. From Guernica to the Twin Towers, one knows that death can come from the sky. The airplane becomes suddenly a threatening figure. We have to recapture our most beautiful invention and reinstall it as a symbol of harmony and brotherhood. This is for instance what the photographs I've made of the Mullairplane-V over New York are for. We must dream again.